The Complete Keybord Works of Johann Sebastian Bach
Vol. 1
The Well-Tempered Clavier Book 1
"In Montana"
The Jack Walrath Quintet
"Walrath half-valves, squirts, and sprays his way to the stars. His statement here alone qualifies him as a world-class player..." – Paul de Baros, down beat
Vol. 6
Anna Magdalena Bach Notebook
Little Preludes
Italian Concerto
"Canti dei Morti"
"A beautifully written and performed program" – American Record Guide
Vol. 7
Concertos for Piano and Orchestra 1,5,3
The Four Seasons
for two pianos
The transcription by Almeida Prado Joâo Carlos Martins and Fernando Corvisier, pianos
“The most macho interpretation of Vivaldi’s Four Seasons you are ever likely to hear…it will surely shine a bright light on an old favorite.”
– On The Air Magazine
"The New Bulgarian Wedding Musicians" Vol. 1
feat. Ivo Papazov and others
"Ivo's album of wedding music played first thing in the morning, provides thorough and long lasting attitude adjustment for the busy executive." – Frank Zappa
"Jazz Alchemy"
"...moments that could excite even the most staunch traditional jazzman."
– Billboard's Top Album Pick
"Musicianship, instrumentation, and the interweaving of European and jazz are the tools of Stadler's creativity. This reissue is proof that as a composer and visionary Stadler had few equals and that his music, made for deep listening and not a mere casual encounter, is compelling."
– Jazzmatazz
Vol. 9
The English Suites
Chromatic Fantasy and Fugue
„There´s Nothing Quite Like Money“
D. Justus Noll, piano
Classic German cabaret music from the 20's, 30's & 40's.
"Sylvia Anders is a consistently compelling, protean, sensuously and satirically powerful interpreter of both the words and the sinuous musical lines. She is a German actress but, singing in English, is doubly idiomatic. Because the songs are so skillfully theatrical, they transcend their grim topical origins - especially when sung, as here, with such voracious mockery. A remarkable album."
- Nat Hentoff, The Progressive
"The New Bulgarian Wedding Musicians" Vol. 2
Featuring: The Wedding Orchestra All-Stars:
Yildiz Ibrahimova, voice; Ivo Papasov, clarinet; Ensemble Bisery: Mladen Malakov, clarinet and leader; Ensemble Shumen: Rossen Tchirpanov, violin and leader; The Christo Yotsov Trio.
"Ebb"
The Derek Bronston Group
Through his work with a wide range of artists like Jerry Gonzalez, Tom Harrell, D.D. Jackson and Cecil Taylor, Derek Bronston has established himself as a highly distinctive and accomplished guitarist. But as his new release on Labor proves, Bronston is an equally unique and talented composer and leader. The nine Bronston originals that comprise this extraordinary album contain a delicate lyricism and elegance, along with a sense of passion that brings the best out of his three extremely sympathetic collaborators.
"Bronston's ideas brim with the simmering mist of early morning wisdom taken from that previous night of searching for new sounds."
– Michael G. Nastos, All Music Guide
"Albanian Lament" / New Music from Albania I
"Albanian Lament" is the first of two albums focussing on Peçi's wide ranging repertory of
chamber music coupled with the composer's hauntingly beautiful music for film.
Vol. 1 Villa-Lobos
José Eduardo Martins: piano
works by Villa-Lobos, Ficarelli, Mendes, and others
Vol. 2 Debussy
Pavlina Dokovska: piano
works by Debussy, Dukas, de Falla, and others
"For the Left Hand"
works by Ravel, Scriabin, Saint-Saens, Godowsky/Chopin, Bach/Brahms
"Three Sonatas"
Angela Tosheva: piano
"The Legacy" Vol. 1
(2-CD set)
"This German-born pianist, who not long ago celebrated her 93rd birthday, is altogether formidable. These discs, recorded live over 30 years, amply demonstrate her commanding technique, penetrating intellect, stylistic range and passionate commitment to the music."
– Edith Eisler, Tower Pulse ***** Five-Stars (top rating)
"The Legacy" Vol. 2
(2-CD set)
Ms. Sultan, who came to this country in 1940 as a refugee from Nazi Germany and who died in 2005, was well-known for her association with the music of John Cage, Stefan Wolpe and other avant-gardists. But she was equally adapt as a profound interpreter of composers like Aaron Copland and Alan Hovhaness as well as the European classics, represented here by Beethoven's monumental Diabelli Variations and his late Bagatelles, Op. 126.
Among the other works on the record are the Copland Piano Sonata, three Episodes for Piano by Ben Weber, Stefan Wolpe's Form for Piano, Alan Hovhaness' Partita (subtitled Yenovk or The Troubadour), Tui St. George Tucker's Tantum Ergo and four of the Cage Etudes Australes, written for and dedicated to Ms. Sultan.
"No artist in the last three quarters of a century symbolizes the European-American connection–the correct word would be something like symbiosis–better than Grete Sultan."
– Eric Salzman
Ms. Sultan received the Bundesverdienstkreuz Erster Klasse in 2002, the highest civilian honor given by the German government. She died in 2005.
The Empire of Light
Labor Records is proud to announce the reissue of the premiere recording of Gheorghi Arnaoudov, one of the most prodigious composers to emerge from Eastern Europe.
Featured on this recording are Arnaoudov’s complete works for piano played by pianist Angela Tosheva, a major new talent from Sofia, Bulgaria.
“There is a definite sense of ‘from-the-heart-to-the-heart’ about this music, the sense of something larger going on is present here as much as it is in Bruckner. Urgently recommended.”
– Fanfare Magazine
Vol. 10
The English Suites 4&5
Toccata
Fantasia
"Aishinka"
The two featured Bulgarian choirs, the Women's Folk Choir and the classically trained Women's Chamber Choir, find the common ground between folkloric and western classical expression in mesmerizing performances of chamber choral works by Bulgaria's most revered composer.
"In all respects–performance, arrangements, recording–this music is the equal of the famous Mystère sessions on Nonesuch. And what otherworldly music it is: droning, piercing yet ethereal, with unusual meters and beautiful (but not conventionally pretty) harmony. For this listener, no other music this side of Bach and Mozart has such power to transport."
– Tom McDermott, The Riverfront Times
Vol. 11
Concertos for Piano and Orchestra 2&4
Brandenburg Concerto
Vol. 3 Fauré
Vladimir Valjarević: piano
works by Fauré, Ravel, Enesco, Koechlin, Schmitt, and others
homage to the great French composer, Gabriel Fauré. In 1922, seven of
Fauré’s pupils were commissioned to write music for an album in his honor.
Among those who contributed were Maurice Ravel, Georges Enesco, Charles
Koechlin and Florent Schmitt. These works of homage alternate with piano
music by Fauré himself including some of his most graceful and attractive
pieces which stand directly between the tradition of Couperin and Chopin
and the innovations of his students Ravel and Debussy."
Vol. 13
Concertos for Piano and 2 Pianos and Orchestra
Vol. 14
2 Toccatas
Overture
Aria Variata
Adagio
4 Duetti
Capriccio
The Essential Bach
monumental series of Bach recordings, a mammoth 15-volume/19-CD project, unanimously regarded as the most fiercely personal and emotional, albeit the most controversial, interpretations of Bach’s music ever recorded.
“His interpretations in this collection have a crisp, good-natured impatience that
infuses Bach’s incomparable counterpoint with a gushing relentlessness.”
-- Rick Mortensen, Deseret News
Between Two Worlds
"The Piano Music" Vol. 1
Iskra Mantscheva: piano
"Christoff's music conveys a compacted and sincere emotional heft."
– Peter Burwasser, Fanfare Magazine
"The Piano Music" Vol. 2
Nadejda Vlaeva: piano
"The Broken Song " / New Music from Albania II
The second volume of contemporary music from Albania featuring the works of Albania’s renowned composer Aleksandër Peçi. Included on this wide-ranging album is music from Peçi’s many film scores and a number of chamber music works that synthesize traditional Albanian music with techniques adapted from European contemporary music, all of it worked up in the composer’s intensely personal style, technique and panache.
“The result is a new voice in European music, truly fresh and emotional.”– Eric Salzman
(formerly with Herbie Hancock, McCoy Tyner and Horace Silver)
“Do Right”
with Clarence Thomas, Renee McLean, Billy Nichols,
Hubert Eaves, James 'Fish' Benjamin, and Idris Muhammad
Il Flauto Dolce
Vol. 4 Scarlatti
Viktoria Lakissova: piano
works by Scarlatti, Alkan, de Manziarly, Francaix,
Godowsky, Hamelin, Kurtág, Lewenthal, Nikolovski and Steffens
Vol. 5 – JS Bach
Music of Tribute turns to Bach: Music of Bach and Homages to Bach played by German pianist
Beatrice Berthold
The Broken Promise
(Blood Feud in Albania)
A Radio Documentary
… Circus Mort’s first EP (on Labor) attacks from a more brutal and intensely personal point of view. Propelled by explosively busy drumming, the band fuses Wire’s burning intensity with a light overlay of early Pink Floyd psychodelicisms. Nakedly painful and bristling with jagged edges, Circus Mort leaps into emotionally savaging their audience with total commitment – a true rarity.
– Lou Stathis, Heavy Metal
Holiday of Love
The reissue of the first ever Certain General recording. Acclaimed in the American press. It was produced by college radio legend Peter Holsapple of the db’s and released in 1982 on Labor Records, one of the first cross-over or multi-cultural record companies that also hosted Circus Mort and Swans.
Featuring the original band line-up: Parker Dulany, vocals; Phil Gammage, guitar, backing vocals; Russell Berke, bass; Marcy Saddy, drums, backing vocals. Contains the original versions of Leader Out, Hello My God, Bb C2, Downtown and Holiday of Love.
Progressive Media’s New Music ReportLook out! Like R.E.M. Certain General layers various sounds to create something bigger than the sum of its parts – exciting, urgent rock’n roll. The music owes much to the psychedelic era of the 60s, but is contemporary nonetheless. An exciting debut.
– JACKPOT / Editors’ choices for best new releases
"Bossa in the Shadows"
Picasso, Munch, Bosch, Chagall explores German composer Walter Steffens’ labyrinthine worlds of sound and image and his extraordinary project that stretches and deepens a tradition that began with musical paraphrases of pictures. Steffens’ interest in “transposing” visual impressions into music arises from his life-long occupation as a composer for theatre, operas, and ballets. His compositions are not simply “paraphrases of pictures,” rather Steffens draws upon his extensive musical vocabulary and his uncommonly strong emotional response to art to produce a musical statement on this recording ranging from the orchestral grandeur inspired by Picasso’s “Guernica” to the large scale symphony for organ after Mark Chagall.
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